Japanese director Sho Miyake has debuted in the U.S. with two films, "Small, Slow But Steady" and "Two Seasons, Two Strangers," focusing on characters' discomfort and isolation. This arrival introduces American audiences to Miyake's distinctive style of naturalistic storytelling centered around human connection and disconnection. Film enthusiasts should watch for how Miyake’s work resonates in the U.S. market and influences future narrative approaches.
Read the full article at The Verge
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